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1. DX7 LIBRARIAN GENERATOR
2. DX7 LIBRARIAN SOFTWARE
3. DX7 LIBRARIAN PLUS
4. DX7 LIBRARIAN FREE
5. DX7 LIBRARIAN WINDOWS

Is it possible to get it anywhere I went to Yams Site and didnt see it available.

DX7 LIBRARIAN SOFTWARE

Something I don't have though and thats the Software Editor.

Yes your right its def a no brainer I guess I just needed an extra push to say good deal. How did you ever find the balls to get the Moog Voyager I dunno I guess $$ huh or lots of hard work pays off. Personally unless you have a DX7IIFde with Grey Matter board I'd say the swap is a no brainer myself.ĭbolt wrote:yea thanks for all the info FaX-01.btw you have a very clean home studio I've seen pix. The unit can easily go into Warped Records / Autechre / Aphex style sound design territory quite easily also. It's in this window, also, that the track mix parameters are edited, as well as the effects. The main benefit of this editor is that all steps and parameters for each track are visible in one window.

DX7 LIBRARIAN FREE

The editor also allows Free EG length to be set in seconds as well as bars.

The four EGs are colour-coded, so it's easy to keep track of their plots.

DX7 LIBRARIAN PLUS

No major additions here, just a helpfully large graphic representation of the parameter moves on an X-Y axis, plus the option to draw them manually and easily assign an EG plot to a DX200 parameter (see below). Patterns can also be named for librarian purposes, though this name isn't visible on the DX200 itself, due to display limitations. Completely missing from the DX200's hardware controls is a two-band EQ that can be edited by software: this offers low (32Hz-2kHz) and mid (100Hz-10kHz) bands, with +/-12dB gain, and a Q control for the mid band. The LFO gains delay, mode and sync parameters. In the editor, the VCF benefits from an input gain control and cutoff scaling (the filter EG also offers velocity sensitivity), and the Distortion effect becomes completely configurable, with a choice of 'amp' types, drive, low-pass filter frequency and output level. There are more portamento and key mode controls (the Detune parameter in unison mode is particularly useful), and a random pitch parameter allows you to introduce a little, or a lot, of pitch variation, in unstable analogue synth fashion. Another window shows the current FM algorithm, with feedback control. A pitch EG is also editable in software, and all EGs (including the filter EGs) can be edited graphically.

DX7 LIBRARIAN GENERATOR

Frequency, tracking mode, the four-stage envelope generator (with level and rate for each stage), level scaling and rate scaling are all editable. The biggest addition here is the complete set of FM parameters, as featured on the DX7, with all six operators fully configurable. Here's a rundown of what's available only in software: All front-panel parameters can be edited, plus many more. A large collection of sounds from Yamaha's PLG150DX board, from which the DX200 is derived, is also included.

DX7 LIBRARIAN WINDOWS

It features three main screens (Voice, Free EG and Step Sequencer editors), subsidiary windows offering librarian functions, and a bonus DX7 edit screen for creating and auditioning voices with a graphic representation of that venerable synth (and loading DX7 patches). "The supplied DX200 Editor is well designed and easy to use. The editor itself is fairly comprehensive also. You get 4 Free EG's (envelope generators) which are loopable and tempo sycnable to control user defined parameters plus ADSR envelopes for Amplitude and Filter ( which the DX-7 doesn't have) + 16 types of noise oscillator (can't be used as a modulator but can dirty up the sound alot). You also get a complement of tempo synced LFo's for Filter Modulation. It is more or less than 'same' engine as a DX-7 but having a choice of resonant filters ie:high pass / low pass / band pass / band eliminate in 24, 18 and 12 db per octave slopes makes a huge difference. You also get a step sequencer and drum machine thrown into the package and a very good visual editor for your computer. The DX200 has effects built in is cross compatible with all DX-7 patches but also has resonant filters built in which opens up far more scope programming wise.

I think its a easy trade.Īny thoughts on this trade should I do it or should I keep the DX7 I mean I do like collecting old synths. 16 knobs to tweak the same DX7 Sound Engine. Dbolt wrote:I have the chance to trade my DX7 for a DX200 Desktop Synth SEQ.